Showing posts with label book review. Show all posts
Showing posts with label book review. Show all posts

Tuesday, November 16, 2021

Book Review - A Room of Her Own

A room of her own, is an interiors book, dripping in opulence, style, wealth, and beauty. Flipping through the pages of 16 homes (20 women) it's hard to forget the class divide prevalent in society. Ultimately this is a book of interiors, belonging to rich white women.  Despite the imbalance, I found myself lost in the fantastical worlds of these creative women.  The writing by Robyn Lea is lovely and the glimpses into their homes definitely entertained my curiosity.  The title pages have the most brilliant collages and the book nails the ratio of text to images (I like my interior books image heavy!).

“I couldn't bear to be in a place that I didn't like the look of. It would affect my mood and make me unhappy.”
- Camilla Guiness


a room of her own

alice stori liechtenstein

interior book

marta ferri

creative women interiors

jj martin

home interiors book

a room of her own review

fiona corsini

interior design book

claire basler

jessica grindstaff

sue townsend

opulent interiors

Beatrix Ost

creative women book

Heidi Middleton

Robyn Lea Book

anna maria coronato

book review a room of her own

interiors of women

7/10


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Tuesday, October 19, 2021

Book Review - Bolder

I just finished the book Bolder and I loved it!

bolder book

Our library has a new system where they'll flip interesting-looking books out on display, essentially curating their shelves like a bookstore.  I planned to just duck into the library and pick up a book on reserve but Bolder caught my eye with its tagline ("Life lessons from people older and wiser than you") and my soft spot for the older generation.

rita gilmore

The book is by Dominique Afacan and Helen Cathcart two friends championing "people over the age of 70 who are still creating, inspiring or working" (source).    

bolder love and sex
The book is divided into themes and features 27 individuals over the age of 70.  

bolder book photo
Dominique and Helen share their musings, followed by a portrait of the subject and the subject's thoughts.  The themes are loose but they provide a lovely narrative structure and the overall layout of the book is beautiful.  Most importantly though I was insanely inspired! Tuula Olin taught me the power of standing on one leg for strength and balance, Robert Burke reminded me that life is not a dress rehearsal and Muffie Grieve left me with the thought "be positive and never give in".  I also came away knowing I have to up my daily movement (pilates seemed a popular choice!) if I want to be living such colourful and vibrant lives that the participants in the book are living!

bolder cleo interview

Other notes I took from the book
Never feel sorry for yourself and never give it (Rita Gilmore)
Take the stairs don't use a handrail! (Pat Moorehead)
Stay Curious (ALician Moorehead)
No past, no future, the best time is now -Pierre Gruneberg (+ his salad bowl swimming technique)

9/10

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Tuesday, September 14, 2021

Book Review - Vivid


vivid

Vivid: Style in Colour is a book by Aussie stylist Julia Green and her partner in crime, photographer Armelle Habib.  I devoured it up because colour, interiors and travel photos are all things I love. 

Vivid: Style in Colour

colourful homes

In Vivid, Julia gives her take on each colour, followed by the beautiful photography from Armelle (travel and interiors) with brief snippets of text around each image to give hints and tricks.  Each colour highlights a specific interior with an interview from the owners.  

colourful interiors

interior book

home styling book

vivid book review

There were a couple of little things that bothered me, how the home shown in the chapter on the colour red, was very orange, how black and white are included but the last two colours on the spectrum were not and despite Julia explaining the definitions of shade, tone and tint, you'll find them misused later in the text. Nitpicky I know! Overall, the book is meant to inspire you to use colour and I definitely was inspired :) :) Julia is such a great stylist, I would have loved seeing her create scenes using art or incorporating flowers rather than just write about them but maybe that'll be the next book!  As much as I'm nitpicking it, I still absolutely loved it and *fingers crossed* for a future book where Julia does a deeper dive into her styling genius! Colour is such a huge topic it's almost impossible not to be left wanting more! 

8/10

home interiors book






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Tuesday, August 17, 2021

Book Review - The Book of Moods

the book of moods

“It was around four o’clock, the sun already setting, the drinks already flowing, and Michael Bublé’s Christmas album wafting from the speakers when the front door flew open in a gust of icy wind, sending a chill up my spine. Aunt Linda had just arrived, carrying her traditional Christmas cookies and steaming plate of judgment.”

Lauren Martin has a clever way with words. Of weaving together narratives, of using vivid stories and scattering in great quotes from other women. I knew I'd appreciate this book from following Lauren's insta account, words of women, which is always classy and full of inspiration - she has a style and it's great. The only thing I personally couldn't relate to with this book (and it's quite a present theme, since the book is about moods) is her proclivity towards anger. There were definitely stories and emotions and moods I did relate to and because I could relate, those resonated & were more enjoyable. I powered through those pages. I imagine if anger is your knee-jerk reaction to unpleasant situations (even seemingly small incidents) this book will be your jam. A lot of the time, as I was reading, I put myself in her shoes and realised I would have just had a flood of tears, overthought everything, and felt sorry for myself – but I didn't write this book.

If you've ever had a mood in your life I'm sure you'll get something out of the book, with each chapter offering an antidote that's simple enough to implement yourself. Her writing is great and I love how the chapters are put together with enough breaks to keep things interesting, actually it's one of my favourite parts of the book!

8/10

“The rejections. The unfulfilled dreams. The luck that never came. I knew how to stand in line and how to calmly handle leaking air conditioners, but I didn’t know how to handle this part of the mood. The nagging worry that nothing would actually ever work out for me. I had gone through all the moods, I finally had everything I wanted, yet I was waking up with a feeling I’d never had before—doubt. What was next? Why did everything feel so far away? What was there to look forward to?”



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Tuesday, July 20, 2021

Book Review - Little Weirds

 

little weirds
“One of my fantasy dimensions is: Strangers on the street see me and think I might be French”

I've wanted to read little weirds ever since reading that first line, via the preview app on Amazon where I knew Jenny Slate's weird was also going to be my weird.  The opener hooked me in and I found her writing style consistent enough to keep the pages turning.  Inside are 47 short stories that range from one to a few pages in length and deal with recurring themes of heartache, family, animals, homes, ghosts, death, dreams, her dog, inequality.  Below is an excerpt, of one of my fvaourite pieces, I Died: Listening.

“Some man was standing right in the middle of the room talking about how he knew that now was the time for men to listen, and he was proud to say that he knew how to listen but strangely he kept talking for so long and I was the one who was listening and so then what happened was that my head twisted around on my neck and faced the wall.

But that didn’t seem to bother him and it certainly didn’t stop him because I guess he was on a roll? And then he just walked around to the other side of me and kept talking, and what he was saying was so obvious but backward and wrong, but to tell him that would have caused a big bust-up.”

I was reading the reviews of the book which fall mostly on the "I love her weirdness" spectrum but a few cringed at the book's self-indulgent nature. It's true but for me, the charm of the book comes from her experiences and viewpoints.  Do not read the book if metaphors, long-running sentences, and observational weirdness freak you out.  

“You are not quite awake yet, but the dreaming is done and so is most of your sleeping. You are waiting inside of yourself, waiting to wake up. You are still behind the curtain that separates awake and activity from sleeping and dreaming. You sense that you are waiting to wake up, but you also know that you are asleep. It feels tensionless, like watching a flag wave, like coming closer to a shore after a pleasure sail. You have a feeling like being happy for someone who has achieved an honor.

It is you.

You are happy for yourself that you have received the honor of a new day on which to ride. You realize that you love yourself easily in this gravity-free space between the worlds of waking and dreaming” - Dog Paw

8.5/10!

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Tuesday, May 18, 2021

Book Review - Three Birds Renovation

 

three birds renovation

Erin, Bonnie, and Lana, make up the Three Birds, a powerhouse trio in the Australian renovation scene.  A quick google will give you an idea of their style; clean modern (lots of white!) and always impeccable details and styling.  As of 2021 they're up to house renovation number 13 and they share their process via a high production video series (released on youtube) and an info-rich Instagram and website.  This book provides a cheaper more accessible option to their top-tier reno school offering.  No doubt the reno school is more tailored and comprehensive but this book is still jammed full of info!

They don't shy away from offering super practical tips with beautiful photos to match.  The book only falls short for me because I don't 100% fit into their demographic.  Their business model is aimed at clients with $200,000+ budgets and for tradie-based renovations.  

That said I did jot down a bunch of notes for my own reno and I'd happily recommend the book to others on their own renovation journey.  

8.5/10


three birds reno

LOUNGE TIP: Avoid a timber table on a timber floor, break it up with a rug underneath.  I also loved how they used floor lamps in their lounge styling and one hero pillow on a couch.


three birds book review
OFFICE TIP: I loved how Bonnie's office (not pictured above) has the desk facing outwards.  The book will definitely let you pick up on little details you might not have thought about!

australian renovation book

BEDROOM TIP: Layers on the bed make it cosy and inviting, and an artwork (or something of interest) hung directly above the bed for some pretty styling.

australian female renovators

OUTSIDE TIP: Spray paint gutters and downpipes same colour as house to hide them

the three birds book

KITCHEN TIP:  Satin paint for kitchen cabinetry, floor to ceiling cabinetry for a refined look, open shelves in the kitchen allow for pretty styling (greenery, cookbooks, bowls, artwork) and no overhead cupboards if your kitchen is small!

book review three birds
BATHROOM TIP: Use cheap white tiles where you can and splurge on the expensive tiles for feature places in your bathroom.  Plus I loved their use of nude grout, over a plain white.

If you love their style, you'll definitely find value in this 240-page book.  

/Book Review sets out to share some of my favourite library finds, encouraging others to do the same :)


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Tuesday, February 2, 2021

Book Review - The Gorgeous Nothings: The Envelope Poems of Emily Dickinson


emily dickinson

This book is utterly gorgeous.  When I first landed my hands on the book it immediately struck me as a thing of beauty, its size yet delicate design makes it exquisite.

emily dickinson envelope poems

The layout and additional writings all support the beautiful work of Emily who kept old envelopes to write her poetry down upon.  It's nice to see her handwriting and to see the alternate words and spacing she used. 


envelope poetry of emily dickison

It's just a lovely book, faultless, and reconfirmed my love of my favourite poet!

10/10

Look back on Time
with kindly Eyes –
He doubtless did his best –
How softly sinks
his trembling Sun
in Human Nature’s West –

-Emily Dickinson

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Tuesday, December 8, 2020

Book Review - Daily Rituals

I'm a big fan of Daily Rituals: How Artists Work (first edition) and the second edition Daily Rituals; Women at Work. The Author, Mason Currey, used the second edition to correct the imbalance of the first where 80% of the artists featured were males. I love the correction, I love the routines, I love the variation of creatives from visuals artists, to writers to performers.

 
daily rituals book

My Notes

-simple routines
-antisocial, okay to be a loner
-set structures
-afternoon swim/walk to break up the day
-use of meditation before creativity
-need to block out time (no distractions) be in a flow state
-can be more complex to carve out time as a woman but it's okay to make sacrifices for your art


Mason Currey daily rituals

Quotes

“Life has much uneasiness; that is certain. Always remember that, and it will never surprise you” -James Boswell

“I intend to save my daughter from the reefs on which her mother's life has been wrecked.” - Karl Marx

“Basically I enjoy everything I am never bored.” - Henri Matisse

“If you write half an hour a day it makes a lot of writing year by year.” - Gertrude Stein

“I wish I had a routine for writing, I get up in the morning and I go out to my studio and I write. And then I tear it up! That's the routine, really. Then, occasionally, something sticks. And then I follow that. The only image I can think of is a man walking around with an iron rod in his hand during a lightning storm” - Arthur Miller

“Write one amazing book devote the other time to flowers.” - L Frank Baum

“A great deal of what I have written has come in the night, when I have slept for a couple of hours and then woke up. I am clear-headed then and acutely impressionable. I always have a pencil and paper by my bed, I do not use light but start writing immediately in the dark if I feel something is streaming through me.  It has become a habit and I have no difficulty deciphering my writing in the morning.” - Knut Hamsun

“We have failed to recognise our great asset: time. A conscientious use of it could make us into something quite amazing.” - Friedrich Schiller

“The seed of a future composition usually reveals itself suddenly, in the most unexpected fashion. If the soil is favourable – that is, if I am in the mood for work, this seed takes root with inconceivable strength and speed, bursts through the soil, puts out roots, leaves, twigs, and finally flowers. I can not define the creative process except through this metaphor. All the difficulties lie in this; that the seed should appear and that it should find itself in favourable circumstances. All the rest happens of its own accord. It would be futile for me to try and express to you in words the boundless bliss of that feeling which envelopes you when the main idea has appeared and when it beckons to take definite forms. You forget everything, you are almost insane, everything inside you trembles and writes, you scarcely manage to set down sketches, one idea presses upon another.” - Pyotr Llich Tchaikovsky

Mark Twain
“There were few experiences of life, grave or gay which did not amuse him, even when they wronged him.”

Murakmi wakes up at 4am and works for five to six hours straight. In the afternoons (his wife and him moved to the country) he runs or swims (or does both) runs errands, reads and listens to music, bedtime is 9pm. “The repetition itself becomes the important thing, it's a form of mesmerism. I mesmerise myself to reach a deeper state of mind. People are offended when you repeatedly turn down their invitations”. - Haruki Murakami

“The afternoon is spent writing, if I am up to it. I sometimes fall asleep or into a deep reverie, lying on my couch and this may put my brain in an “idling” or “default” mode. I let it play with images and thoughts on it own; I come to from these altered states, if I am lucky with energy renewed and confused thoughts clarified” - Oliver Sacks

“Because you won't get those four hours if you're spending most of the day worrying about getting to an appointment and back. What you have to do is clear all distraction. That's the bottom line”. - Anne rice

“It's actively anti-social, on the other hand, it is pro-creative. When it all comes together, a creative life has the nourishing power we normally associate with food, love and faith.” - Twyla Tharp

“A poem is never finished only abandoned” - Paul Valey 

I think that the unconscious – which sometimes expresses itself through artists – is a medium of other spirits – of other deities: to let us have things that we can't have rationally” - Ntozake Shange

I enjoy people best if I can be alone much of the time” - Octavia Butler

The great things about being an artist is that you can create time and are not ruled by it” - Josephine Meckseper


 /Book Review sets out to share some of my favourite library finds, encouraging others to do the same :)
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Tuesday, November 3, 2020

Book Review - Ikigai: The Japanese Secret to a Long and Happy Life

Despite the clear title, I was expecting the book to be a simple run-through guide of finding your 'reason for being' aka your ikigai (pronounced “icky guy”). Instead, the book branches out in lovely ways and ultimately provides a roadmap for longevity and fulfillment. An insightful/rewarding read from authors, Hector Garcia and Francesc Miralles. 8/10


ikigai book review

The following are the notes I took whilst reading the book

Ikigai “the happiness of always being busy”

Importance of:
/an active adaptable mind and stepping outside your comfort zone even if it creates some anxiety
/use of meditation to calm the mind
/stoic attitude
/sleep 7-9 hours
/rituals over goals
/emotional awareness
/enjoy the little things; stay young, have fun, dance – celebrate all the time
/Our ability to turn routine tasks into moments of microflow (into something we enjoy) is key to us being happy. Happiest people are not the ones who achieve the most, they are the ones who spend more time in a state of flow

Vicktor Frankl's ideas
/ We don't need a peaceful existence but a challenge we can strive to meet (if the task is too easy it will lead to boredom, if the task is beyond our abilities it may create anxiety but that anxiety will disappear when taking the first step)
/ Feelings (like weather) happen, we can only accept and observe - trying to control our feelings will only make them more intense

Secrets to longevity
1) Stay active - never stop moving in daily routines – working in your vegetable garden/weeding – your body needs daily maintenance to prevent it from breaking down
2) Take life slow – relax
3) Don't fill your stomach – stop eating when 80% full
4) Surround yourself with good friends - be social - say hello to people in community
5) Smile, laugh – cheerful, positive attitude
6) Reconnect with nature
7) Give thanks
8) Live in the moment – stop regretting the past and fearing the future – today is all you have, the present is all that exists
9) Follow your ikigai – the passion inside of you, your unique talent that gives meaning to your days and drives you to share the best of yourself until the end – but don't worry too much about finding it + it's also open to change when you do.
10) Eat a bit of everything (Okinawan diet)



 /Book Review sets out to share some of my favourite library finds, encouraging others to do the same :)

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Tuesday, October 13, 2020

Book Review - White Fragility

White Fragility by Robin DiAngelo was a life-changing read. For someone who never thought of themselves in terms of race, but defended my “non-racist” stance with loads of predicable phrases. I've learned that someone who is white, who lives in a white community and is sheltered from the realities of racism, I need loads more education and I need to do a whole lot more.  I need to welcome more diversity into my life, to listen, to stand up, to break white solidarity to see my privilege and not be so damn fragile about being called out upon.

I wrote pages upon pages of notes after reading White Fragility. I've tried my best to summarise what I learned which includes some paraphrasing of the book and direct quotes. Obviously, my main recommendation is to go and read the book - hopefully my following notes inspire you to do so!


white fragility book

DEFINITIONS:

Race (white/black/asian) is socially constructed there's no specific gene that can be used to determine a person's race, no scientific backing. Humans are more similar than different from each other.

Prejudice = pre-judgment of another person

Discrimination = action on prejudice. When a prejudice causes you to act different (less relaxed or avoiding) that's discrimination

Racism = When a racial's group's collective prejudice is backed by the power of legal authority and institutional control it is transformed into racism = default of our society

*People of color may hold prejudices and discriminate against white people but they lack the social and institutional power to transform it into racism - only white people can be racist (page 22)


WHITE PRIVILEGE

David Wellman coined the term 'white privilege' to describe a system of advantage based on race. These advantages include self-worth, visibility, positive expectations, freedom of movement, sense of belonging, entitlement (p.25) The dimensions of racism benefiting white people are usually invisible to whites. White supremacy in society is never acknowledged, white people are rarely asked to think about ourselves as white.

Being white there was a higher chance I would survive my birth based on my race. Moving through life I belonged (I saw myself in tv, best selling novels, blockbusters, magazines, white leaders, teachers, white classmates). If I found myself not belonging (being the racial minority), I could enjoy the novelty factor or avoid the situation if it became too unsettling having been taught to avoid these situations due to being scary, dangerous, or sketchy. When I apply for a job, the person in the hiring position will share my race, and then once employed I never had to feel like I was hired on my race. I'm free to move in any space and be seen as normal, neutral, or valuable. Whites are “just people” our race is never named. I have access to 'flesh' colored makeup, bandages, pencils, educational models in my skin tones and I'm my race is always represented on birthday cards, posters, kid's books.


Few adults acknowledge a lack of racial diversity as a problem, we're taught white segregation is good and that black people's absence is a desirable thing to be sought and maintained while simultaneously denying the fact.

No one claims to be racist anymore but racism, still exists how?


GOOD/BAD BINARY

The simplistic idea that racism is limited to individual intentional acts committed by unkind people is at the root of virtually all white defensiveness on this topic, to move beyond defensiveness we have to let go of this common belief.  If I place myself on the “not racist” side what further action is required of me? No action because I'm not a racist, racism is not my problem, this worldview guarantees I will not build my skills in thinking critically about racism or use my position to challenge racial inequality.  page 77

Racism is built upon cultural info; images, stories, interpretations, omissions, silences, and passed along from one person and group to the next and from one generation to the next through tv, media, stories told by family and friends. Just think about the issue of having 95% of the top 100 grossing films made by white Americans with 99% of those being men (in 2016).

Racism is so deeply woven into the fabric of our society that in our lifetimes we cannot escape from that continuum but we are not in a fixed position, we can move further along as we actively seek to interrupt racism. Racism isn't something that only happens to people of color it is a relationship in which both groups are involved. page 87


COLOUR-BLIND RACISM

Martin Luther King's famous line of “I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin, but by the content of their character.” has been used to rebrand racism. White children are taught how to navigate race, how not to point out skin color. Colour blindness is thus promoted as a remedy for racism with white people insisting that they don't see race or if they do, it has no meaning to them. Colour blind ideology makes it difficult for us to address unconscious beliefs on race. The truth is we do see differences and we need to see race in order to acknowledge and challenge racism.  page 43

Color Blind Statements Include;
“I was taught to treat everyone the same”
“I don't see color”
“Race doesn't have any meaning to me”
“My parents were/weren't racist so that is why I am not racist”
“Everyone struggles but if you work hard”
“Focusing on race is what will divide us”
“If people are respectful to me, I am respectful to them, regardless of race”
“Children today are so much more open”
“I was picked on because of.... so I don't have white privilege”
“The real oppression is class (or gender, or anything other than race)”

Color-Celebrate Statements Include;
“I work in a very diverse environment/went to diverse school”
“I have people of color in my family”
“I marched for black rights”
“I live among the black people”

All these statements exempt the person from any responsibility and close off any further exploration. For example, if you work with black people you're merely saying racists can't be around black people. If you're taught to treat people all the same then what you're really lacking is socialisation as it's impossible not to judge people. Parents train children not to say certain things that are overtly racist, teaching the child self-censorship rather than how to examine the deeply embedded racial messages we all absorb. A racism-free up upbringing is not possible, because racism is a social system embedded in the culture and its institutions. We are born into this system and have no say in whether we will be affected by it. Most white parents and teachers believe children are color blind which prevents us from honestly addressing racism with children. A study (by Maria Monteiro, Dalila d France, and Ricardo Rodrigues) found racial hostility in children as young as age three and that children learned to hide racism as they got older.

People of color repeatedly state white's refusal to acknowledge racial difference and that power dynamics actually maintain racial inequality. Whites continue to insist that not talking about the difference is necessary for unity “focusing on race is what divides us” but unequal power relations cannot be challenged if they are not acknowledged.


WHITE FRAGILITY IN ACTION

Whites have a predictability when having our racial positions challenged, we expect racial comfort and have less tolerance of racial stress leading to intense emotional reactions (anger, withdrawal, emotional incapacitation, hostile body language, guilt, argumentation, and cognitive dissonance). One way whites protect their positions when challenged on race is to invoke the discourse of self-defense, characterising themselves as victimised, slammed, blamed, and attacked. In this way they hijack the conversation to make it about themselves, silencing the important conversation about racism and closing off self-reflection whilst protecting their limited view.

“you are judging me”
“if you knew or understood me, you would know I can't be racist”
“you're being racist against me”
“I have suffered too” (my suffering/or another form of oppression relieves me of racism or racial privilege)
the accusation of the “race card” being played
playing the outraged victim of “reverse racism”

Tears (especially by white women when called out on racism) are driven by white guilt and are self-indulgent, narcissistic, and ineffective - an excuse for inaction. White men's fragility can show up as taking control of the conversation, speaking first, last, and most often. They can use statements such as “just playing the devil's advocate” “people just need to...”“the true oppression is class” (channel-switching) “I recommend the book..”( intellectualising and distancing) or “correcting” people of color. All these approaches invalidate racial inequality and reassert their dominance.


RACIAL TRIGGERS FOR WHITE PEOPLE

/A fellow white disagreeing with our racial beliefs (challenge to white solidarity)
/Receiving white feedback that our behaviour had a racist impact (challenge to white racial innocence)
/Suggesting that group membership (being part of the white group) is significant (challenge to individualism)
/Acknowledgement that access is unequal between racial groups (challenge to meritocracy)
/Being present with a person of color in a position of leadership (challenge to white authority)
/Being presented with information about another racial group through, for example, movies, in which people of color drive the action but are not in stereotypical roles or multicultural education (challenge to white centrality)

White people complain of “gotcha culture” and if the feedback comes from a black person then they're playing the “race card”. We need to be able to take feedback and build our racial stamina, not require people of color to continually validate our denial. “I know that I have blind spots and unconscious investment in racism. My investments are reinforced every day in mainstream society. I did not set this system up but it does unfairly benefit me, I do use it to my advantage, and I am responsible for interrupting it. I need to work hard to change my role in this system, but I can't do it alone.” page 125-126. White people need race talk to be comfortable and palatable, they don't want to feel like it's their problem. Stopping our racist patterns must be more important than working to convince others that we don't have them. We do have them and people of color already know we have them. We also need to stop privileging the comfort of white people over the pain of racism for people of color, to move past guilt and into action.


WHERE DO WE GO FROM HERE (chapter 12)

Defensive reaction is what people of color get from white people and it explains why they more often than not don't even try talking to us.

“What would it be like if you could simply give us feedback, have us graciously receive it, reflect and work to change the behaviour?”. A man of color replied, “it would be revolutionary”. The man's response points to how fragile white people are but also how simple it can be to take responsibility for our racism.

We might be able to transfer our feedback reactions to different feelings;
gratitude, excitement, discomfort, motivation, humility, compassion, and interest

When we have these feelings we might engage in in the following behaviours;
reflection, apology, listening, processing, seeking more understanding, grappling, engaging, believing

We also need to create new ASSUMPTIONS;

/Being good or bad is not relevant
/Racism is a multilayered system embedded in our culture
/All of us are socialised into the system of racism
/Racism cannot be avoided
/Whites have blind spots on racism and I have blind spots on racism
/Racism is complex and I don't have to understand every nuance of the feedback to validate the feedback
/Whites are/I am unconsciously invested in racism
/Bias is implicit and unconscious; I don't expect to be aware of mine without a lot of ongoing effort
/Giving us white people feedback on racism is risky for people of color, so we can consider the feedback a sign of trust
/Feedback on white racism is difficult to give; how I am given the feedback is not as relevant to the feedback itself
/Authentic antiracism is rarely comfortable. Discomfort is key to my growth and thus desirable.
/White comfort maintains the racial status quo, so discomfort is key necessary and important
/I must not confuse comfort with safety; as a white person, I am safe in the discussion of racism
/The antidote to guilt is action
/It takes courage to break with white solidarity; how can I support those who do?
/I bring my group's history with me; history matters
/Given my socialization, it is much more likely that I am the one who doesn't understand the issue
/Nothing exempts me from the forces of racism
/My analysis must be intersectional (a recognition that my other social identities – class, gender, ability – inform how I was socialised into the racial system)
/Racism hurts (even kills) people of color 24-7/ Interrupting it is more important than my feelings, ego, or self-image

These assumptions might interrupt racism in the following ways:
/Minimise our defensiveness
/Demonstrate our vulnerability
/Demonstrate our curiosity and humility
/Allow for growth
/Stretch our worldwide
/Ensure action
/Demonstrate that we practice what we profess to value
/Build authentic relationships and trust
/Interrupt privileged-protecting comfort
/Interrupt internalised superiority

When white people ask me what to do about racism, I ask “what has enabled you to be a full, educated, professional adult and not know what to do about racism?”. We need to educate ourselves without the expectation of reaching out to people of color to teach us (putting the responsibility back onto them).

I am not guilty about racism, I didn't choose this socialization and it could not be avoided but I'm responsible for my role in it. To the degree that I have done my best in each moment to interrupt my participation, I can rest with a clearer conscience. It is a messy, life long process, but one that is necessary to align my professed values with my real actions. p.154


/Book Review sets out to share some of my favourite library finds, encouraging others to do the same :)

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